Lennon, Ono, the Creative Frequency and the Big Message by Diana Rivera

John Lennon, Yoko Ono and a group of creative professionals in a 10-week program called the Creative Frequency relate more than just in my imagination. Firstly, a couple things you should know about me as the writer of this blog: I love to blow bubbles into thin air and admire the colors; I also love playing scrabble and patterning words to other words, instinctually. This is all to say, I like to make rippling connections between experiences that bubble to surface and than heat into a relationship where words are needed to simmer  it down.

This past Saturday I  ended a 10 week series that I had carefully constructed a year before. The purpose was to bring together a variety of creative professionals from a variety of creative fields (performance, art, design, music). We focused on empowerment of creative aptitude to the skills and strategies of creating a final product. We came together that day so everyone could present for 30 minutes their final outcome. We ate, we talked, we laughed, some of us even cried. One of the participants even skyped in from NYC. It was, like the title of the project intended, a frequency of high creative energy bubbling between us. In one moment, it dawned on me like a spectrum of color that the imagination is capable of creating anything.

This is where Lennon and Ono enter upstage. Driving through Hollywood, I noticed this huge wall poster that had been pasted to a cement wall. It was of Lennon, Ono and a sweet dog. Although the image had been rained on, I could see their figure a block away. I knew they were there to connect the frequency of energy and spectrum of revelations with one triangulating message that Lennon and Ono had written in the poster, “All you need is Love.” This was their 5 word pattern message as a united, creative duo. It was simple, and in that simplicity penetrated internationally and inter-generationally, making me ask myself on my ride home: what is your message to the world?

One of my messages is the belief that the imagination exists and it is the key to our individual and collective future. I had felt it with the group that day and I knew it by heart. Then, a flash: the sound of the song “Imagine”  arrived, twirling into clarity of gesture. The lyrics laid themselves before me. Whatever you can in your greatest vision imagine is only half of what is possible, but that half you are fully responsible in creating.

Albert Einstein, Robert Wilson and Phillip Glass on the Beach by Diana Rivera

Did you know that Einstein interviewed poets to learn about the nature of intuition and imagination? It was a form of collaboration between artist and scientist (Einstein was in fact a versed violinist who would, in a moment of scientist block, play his violin to help him find an answer to his theories), and is beautifully divergent from a stagnant perception that scientists are not artists, and have no interest in the arts. It’s almost symphonic to imagine the words shared between them. Fast-forward years later to a buzzing  conversation between the accomplished Theatre Director, Robert Wilson, and Composer, Phillip Glass, regarding the basis of a collaboration on a 4-5 hour long opera.

Conversations like these are as vast and symbolic as the beach. The ebb and flow of the ocean summons in the tidal wave of an idea; the sky comfortably and sometimes turbulently crowns the idea by demanding more of your attention just to see if you can think in the grand sense of the stars and planets. In both  cases, such conversations led Einstein (whether with a poet or a violin) to create his posthumous findings, along with Wilson and Glass to invent for the four walls of a black box theatre, a galaxy of an idea called “Einstein on the Beach.”

Wilson and Glass will tell you: they were broke before they even began the project in the 1970’s in NYC. Broke but larger than life with a creative notion to collaborate on a popular work of theatre fusing an anti-linear narrative with movement and opera.

Wilson would tell you himself that the opera community was at first unsure of this kind of work. It should be in some artist loft space, not at the MET. With Einstein symbolically at the helm, Wilson and Glass were the poets of this creative equation who knew they were on to something and so it was worth the momentary hardship to produce “Einstein at the Beach.”

Check out this video on the process:

So, where does this information lead us in our thoughts as a creative community? Whether it’s Einstein, Wilson and Glass at the beach, how can we think and believe as large as the sky and create a project as massive as a galaxy? To this result, collaboration is the primary route and it must be done by like-minded and not so like-minded folk. As individual creators, a synergistic conversation between thinkers of different domains (poetry and science or music and dance) can provide a ‘galactic’ quality that advances information and/or the finding of a scientific theory or the basis of a show.

Whatever the outcome might be, the value is higher when having orbited through the fine art and science of conversation. In fact, Einstein’s theories live on for present-day collaborators and Wilson and Glass’ show is set to reopen in 2012 internationally.

Points to ponder:

If you are in the incubation process of an idea, invite a colleague to the beach of your thought process. This colleague could be of the same domain and a different one (again, this means someone of a different field). What is the nature or theme of the conversation you are looking to address? How can you let go of your theories, expand your notions and think ‘galactic.’